{"id":101983,"date":"2026-08-12T12:38:17","date_gmt":"2026-08-12T10:38:17","guid":{"rendered":"https:\/\/www.galeriechampaka.com\/?page_id=101983"},"modified":"2026-09-09T20:38:16","modified_gmt":"2026-09-09T18:38:16","slug":"jean-michel-beuriot","status":"publish","type":"page","link":"https:\/\/www.galeriechampaka.com\/?page_id=101983","title":{"rendered":"JEAN-MICHEL BEURIOT"},"content":{"rendered":"<h1 id=\"fr\" class=\"p1\">Un Flic sous l&rsquo;Occupation<\/h1>\n<h3 class=\"p3\"><span class=\"s1\">Exposition 10\/09 &gt; 03\/10\/2026<\/span><\/h3>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-101984 aligncenter\" src=\"https:\/\/www.galeriechampaka.com\/wp-content\/uploads\/2026\/08\/B-FO-20.jpg\" alt=\"Illustration en noir et blanc d\u2019un d\u00e9tective en trench-coat et chapeau, avec deux personnages en arri\u00e8re-plan et la tour Eiffel.\" width=\"1573\" height=\"2000\" srcset=\"https:\/\/www.galeriechampaka.com\/wp-content\/uploads\/2026\/08\/B-FO-20.jpg 1573w, https:\/\/www.galeriechampaka.com\/wp-content\/uploads\/2026\/08\/B-FO-20-236x300.jpg 236w, https:\/\/www.galeriechampaka.com\/wp-content\/uploads\/2026\/08\/B-FO-20-805x1024.jpg 805w, https:\/\/www.galeriechampaka.com\/wp-content\/uploads\/2026\/08\/B-FO-20-768x976.jpg 768w, https:\/\/www.galeriechampaka.com\/wp-content\/uploads\/2026\/08\/B-FO-20-1208x1536.jpg 1208w\" sizes=\"auto, (max-width: 1573px) 100vw, 1573px\" \/><\/p>\n<p class=\"p1\">Avec \u00ab&nbsp;<b><i>Un flic sous l\u2019occupation<\/i><\/b>&nbsp;\u00bb (2 Tomes \/ Ed. Gl\u00e9nat), le dessinateur <b>Jean-Michel Beuriot<\/b> et son sc\u00e9nariste <b>Philippe Richelle<\/b> nous replongent dans les heures sombres du Paris occup\u00e9 des ann\u00e9es 40 et dans un<span class=\"s1\">e<\/span> France plus que jamais divis\u00e9e.<\/p>\n<p class=\"p1\">Cette p\u00e9riode que le duo affectionne tant, et o\u00f9 prenait d\u00e9j\u00e0 place l\u2019ambitieuse saga \u00ab&nbsp;<b><i>Amours<\/i><\/b> <b><i>Fragiles<\/i><\/b>&nbsp;\u00bb (9 Tomes \/ Casterman), sert de cadre \u00e0 une intrigue qui se veut cette fois plus polici\u00e8re et qui rappelle les meilleures enqu\u00eates de <i>L\u00e9on Sadorski<\/i>, le h\u00e9ros \u00e0 la personnalit\u00e9 aussi ambig\u00fce que complexe des romans de Romain Slocombe.<\/p>\n<p class=\"p1\">Dans ce milieu interlope qu\u2019\u00e9tait \u00ab&nbsp;<b><i>La Carlingue<\/i><\/b>&nbsp;\u00bb, o\u00f9 la criminalit\u00e9 ordinaire se met au service de la r\u00e9pression, du chantage, de la d\u00e9lation et de l\u2019enrichissement personnel, s\u2019entrem\u00ealent les destins de diff\u00e9rents protagonistes&nbsp;: repris de justice vivant confortablement \u00e0 la solde des Nazis et policiers tiraill\u00e9s entre la volont\u00e9 de bien faire et les opportunit\u00e9s juteuses qu\u2019offre le march\u00e9 noir. Ce diptyque nous invite \u00e0 r\u00e9fl\u00e9chir sur les choix et les cons\u00e9quences d\u2019une action engag\u00e9e en temps de guerre.<\/p>\n<p class=\"p1\">Comme toujours, le trait pr\u00e9cis et raffin\u00e9 de <b>Jean-Michel Beuriot<\/b> ajoute une part de sensibilit\u00e9 \u00e0 ce r\u00e9cit implacable. La <b>galerie Champaka<\/b> sera tr\u00e8s heureuse d\u2019inaugurer sa rentr\u00e9e avec un magnifique dispositif d\u2019originaux couvrant les 2 tomes de ce r\u00e9cit sous haute tension&nbsp;!<\/p>\n<hr>\n<h2 id=\"nl\" class=\"p1\"><b>Een flik tijdens de besetting<\/b><\/h2>\n<p class=\"p1\">Met \u201c<b><i>Een flik tijdens de bezetting<\/i><\/b>&nbsp;\u00bb (2 delen \/ Uit. Gl\u00e9nat) dompelen tekenaar <b>Jean-Michel Beuriot<\/b> en zijn scenarist <b>Philippe Richelle<\/b> ons onder in de sombere tijden van een bezet Parijs in de jaren 40 en een meer dan ooit verdeeld Frankrijk.<\/p>\n<p class=\"p1\">Deze p\u00e9riode, die zo een indruk maakt op het duo en al als decor diende voor de ambitieuze saga \u00ab&nbsp;<b><i>Oorlog en Liefde<\/i><\/b>&nbsp;\u00bb (9 delen \/Casterman), dient nu als kader voor een intrige dat deze keer meer detective is en doet denken aan de beste onderzoeken van <i>Leon Sadorski<\/i>, de held met de complexe en tweezijdige persoonlijkheid uit de romans van Romain Slocombe.<\/p>\n<p class=\"p1\">In dit louche milieu van \u00ab&nbsp;<b><i>La Carlingue<\/i><\/b>&nbsp;\u00bb waar gewone criminaliteit in dienst staat van repressie, chantage, verklikking en persoonlijke verrijking, vermengen de losbestemmingen van de verschillende spelers zich met mekaar&nbsp;: vigilante gerechtigheid met de zegen van de Nazi\u2019s en<span class=\"Apple-converted-space\">&nbsp; <\/span>agenten die zich verscheurd voelen tussen de wil goed te doen en de sappige kansen van de zwarte markt. Dit tweeluik nodigt ons uit na te denken over de keuzen en de gevolgen van daden die oorlogtijd werden begaan.<\/p>\n<p class=\"p1\">Zoals altijd voegt de precieze en verfijnde lijnvoering van <b>Jean-Michel Beuriot<\/b> een gevoelige noot bij dit onverbiddelijk verhaal. <b>Galerij Champaka<\/b> zal met genoegen de herfst inluiden met een schitterende selectie originelen uit de twee delen van dit hoogspanningverhaal&nbsp;!<\/p>\n<hr>\n<h2 id=\"en\" class=\"p1\"><b>A Cop under the Occupation<\/b><\/h2>\n<p class=\"p1\">With <b><i>Un flic sous l\u2019occupation<\/i><\/b> (2 volumes \/ Gl\u00e9nat), artist <b>Jean-Michel Beuriot<\/b> and writer <b>Philippe Richelle<\/b> immerse us once again in the dark days of occupied Paris during the 1940s and a France more divided than ever.<\/p>\n<p class=\"p1\">This era\u2014a favourite of the duo, and the setting for their ambitious saga <b><i>Amours Fragiles<\/i><\/b> (9 volumes \/ Casterman)\u2014provides the backdrop for a plot that leans more towards the police procedural genre this time, recalling the finest investigations of <i>L\u00e9on Sadorski<\/i>, the hero with an ambiguous and complex personality from the novels of Romain Slocombe.<\/p>\n<p class=\"p1\">In the shady world of \u00ab\u00a0<b><i>La Carlingue<\/i><\/b>\u00ab\u00a0\u2014where common criminals turn their hand to repression, blackmail, informing, and personal enrichment\u2014the fates of various protagonists intertwine: ex-convicts living the high life in the pay of the Nazis, and police officers torn between the desire to do the right thing and the lucrative opportunities offered by the black market. This two-part series invites us to reflect on the choices made and the consequences of actions taken during wartime.<\/p>\n<p class=\"p1\">As always, <b>Jean-Michel Beuriot<\/b>\u2019s precise, refined linework adds a touch of sensitivity to this relentless tale. Galerie Champaka is delighted to kick off the new season with a magnificent exhibition of original artwork spanning both volumes of this high-tension story!<\/p>\n<h2>Originaux<\/h2>\nngg_shortcode_0_placeholder\n<h2>Int\u00e9ress\u00e9 par une \u0153uvre?<\/h2>\n<p>Laissez-nous vos coordonn\u00e9es, nous vous recontacterons d\u00e8s que possible.<br \/>\n\n<div class=\"wpcf7 no-js\" id=\"wpcf7-f688-o1\" lang=\"fr-FR\" dir=\"ltr\" data-wpcf7-id=\"688\">\n<div class=\"screen-reader-response\"><p role=\"status\" aria-live=\"polite\" aria-atomic=\"true\"><\/p> <ul><\/ul><\/div>\n<form action=\"\/index.php?rest_route=%2Fwp%2Fv2%2Fpages%2F101983#wpcf7-f688-o1\" method=\"post\" class=\"wpcf7-form init\" aria-label=\"Formulaire de contact\" novalidate=\"novalidate\" data-status=\"init\">\n<fieldset class=\"hidden-fields-container\"><input type=\"hidden\" name=\"_wpcf7\" value=\"688\" \/><input type=\"hidden\" name=\"_wpcf7_version\" value=\"6.1.5\" \/><input type=\"hidden\" name=\"_wpcf7_locale\" value=\"fr_FR\" \/><input type=\"hidden\" name=\"_wpcf7_unit_tag\" value=\"wpcf7-f688-o1\" \/><input type=\"hidden\" name=\"_wpcf7_container_post\" value=\"0\" \/><input type=\"hidden\" name=\"_wpcf7_posted_data_hash\" value=\"\" \/>\n<\/fieldset>\n<p><label> Votre nom (*)<br \/>\n<span class=\"wpcf7-form-control-wrap\" data-name=\"your-name\"><input size=\"40\" maxlength=\"400\" class=\"wpcf7-form-control wpcf7-text wpcf7-validates-as-required\" autocomplete=\"name\" aria-required=\"true\" aria-invalid=\"false\" value=\"\" type=\"text\" name=\"your-name\" \/><\/span> <\/label>\n<\/p>\n<p><label> Votre e-mail (*)<br \/>\n<span class=\"wpcf7-form-control-wrap\" data-name=\"your-email\"><input size=\"40\" maxlength=\"400\" class=\"wpcf7-form-control wpcf7-email wpcf7-validates-as-required wpcf7-text wpcf7-validates-as-email\" autocomplete=\"email\" aria-required=\"true\" aria-invalid=\"false\" value=\"\" type=\"email\" name=\"your-email\" \/><\/span> <\/label>\n<\/p>\n<p><label>\u0152uvre choisie<br \/>\n<span class=\"wpcf7-form-control-wrap\" data-name=\"your-subject\"><input size=\"40\" maxlength=\"400\" class=\"wpcf7-form-control wpcf7-text\" aria-invalid=\"false\" value=\"\" type=\"text\" name=\"your-subject\" \/><\/span> <\/label>\n<\/p>\n<p><label>Votre demande<br \/>\n<span class=\"wpcf7-form-control-wrap\" data-name=\"your-message\"><textarea cols=\"40\" rows=\"10\" maxlength=\"2000\" class=\"wpcf7-form-control wpcf7-textarea\" aria-invalid=\"false\" name=\"your-message\"><\/textarea><\/span> <\/label>\n<\/p>\n<p><input class=\"wpcf7-form-control wpcf7-submit has-spinner\" type=\"submit\" value=\"Envoyer\" \/>\n<\/p>\n<p>Ce formulaire utilise Akismet pour r\u00e9duire le courrier ind\u00e9sirable. <a target=\"_blank\" rel=\"nofollow noopener\" href=\"https:\/\/akismet.com\/privacy\/\">D\u00e9couvrez comment vos donn\u00e9es sont trait\u00e9es.<\/a>\n<\/p><p style=\"display: none !important;\" class=\"akismet-fields-container\" data-prefix=\"_wpcf7_ak_\"><label>&#916;<textarea name=\"_wpcf7_ak_hp_textarea\" cols=\"45\" rows=\"8\" maxlength=\"100\"><\/textarea><\/label><input type=\"hidden\" id=\"ak_js_1\" name=\"_wpcf7_ak_js\" value=\"69\"\/><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\ndocument.getElementById( \"ak_js_1\" ).setAttribute( \"value\", ( new Date() ).getTime() );\n\/* ]]> *\/\n<\/script>\n<\/p><div class=\"wpcf7-response-output\" aria-hidden=\"true\"><\/div>\n<\/form>\n<\/div>\n<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Un Flic sous l&rsquo;Occupation Exposition 10\/09 &gt; 03\/10\/2026 Avec \u00ab&nbsp;Un flic sous l\u2019occupation&nbsp;\u00bb (2 Tomes \/ Ed. Gl\u00e9nat), le dessinateur Jean-Michel Beuriot et son sc\u00e9nariste Philippe Richelle nous replongent dans les heures sombres du Paris occup\u00e9 des ann\u00e9es 40 et dans une France plus que jamais divis\u00e9e. Cette p\u00e9riode que le duo affectionne tant, et [&hellip;]<\/p>\n","protected":false},"author":5,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[],"tags":[],"class_list":["post-101983","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.galeriechampaka.com\/index.php?rest_route=\/wp\/v2\/pages\/101983","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.galeriechampaka.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.galeriechampaka.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.galeriechampaka.com\/index.php?rest_route=\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/www.galeriechampaka.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=101983"}],"version-history":[{"count":4,"href":"https:\/\/www.galeriechampaka.com\/index.php?rest_route=\/wp\/v2\/pages\/101983\/revisions"}],"predecessor-version":[{"id":102104,"href":"https:\/\/www.galeriechampaka.com\/index.php?rest_route=\/wp\/v2\/pages\/101983\/revisions\/102104"}],"wp:attachment":[{"href":"https:\/\/www.galeriechampaka.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=101983"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.galeriechampaka.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=101983"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.galeriechampaka.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=101983"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}