{"id":15073,"date":"2020-10-12T08:54:10","date_gmt":"2020-10-12T06:54:10","guid":{"rendered":"https:\/\/www.galeriechampaka.com\/?page_id=15073"},"modified":"2020-10-28T10:02:17","modified_gmt":"2020-10-28T09:02:17","slug":"beuriot-preview","status":"publish","type":"page","link":"https:\/\/www.galeriechampaka.com\/?page_id=15073","title":{"rendered":"Beuriot"},"content":{"rendered":"<h2 class=\"p1\"><span class=\"s1\"><b>Amours fragiles dans la tourmente&nbsp;<\/b><\/span><\/h2>\n<p class=\"p1\"><strong><span class=\"s1\">29\/10 &gt; 14\/11<\/span><\/strong><\/p>\n<p class=\"p2\"><span class=\"s1\">Et vous, qu\u2019auriez vous fait si vous aviez eu 20 ans en 1932 en Allemagne&nbsp;? Des tentatives de r\u00e9ponses \u00e0 cette question \u00e9pineuse ont parfois \u00e9t\u00e9 \u00e9voqu\u00e9es au cin\u00e9ma (\u00ab&nbsp;Le <i>Tambour<\/i>&nbsp;\u00bb de V. Schl\u00f6ndorff 1979) ou en litt\u00e9rature (\u00ab&nbsp;<i>L\u2019ami retrouv\u00e9<\/i>&nbsp;\u00bb de F. Uhlman 1971). Mais ce sujet sensible n\u2019avait jamais \u00e9t\u00e9 abord\u00e9 en bande dessin\u00e9e avant la parution du tome 1 de la s\u00e9rie \u00ab&nbsp;<b>Amours<\/b> <b>fragiles<\/b>&nbsp;\u00bb de <b>Jean-Michel Beuriot<\/b> et <b>Philippe Richelle<\/b> (\u00e9ditions <b>Casterman<\/b> , 2001).<br \/>\n<\/span><span class=\"s1\">Dans cette fresque historique tr\u00e8s document\u00e9e (l\u2019<b>H<\/b>istoire avec un grand H), \u00e0 la fois chronique sociale et histoire sentimentale (l\u2019<b>h<\/b>istoire avec un petit h), nous suivons les pas du pacifique et timide Martin Mahner. \u00c1 travers ses choix et ceux de son entourage, nous ne pouvons nous emp\u00eacher de penser \u00e0 Stefan Zweig, Bertold Brecht, Hermann Hesse et de nombreux intellectuels allemands ou autrichiens qui ont \u00e9t\u00e9, eux aussi, confront\u00e9s aux insidieuses privations progressives de leurs libert\u00e9s mais qui ont choisi une voie diff\u00e9rente, celle de l\u2019exil et parfois du suicide.<br \/>\n<\/span><span class=\"s1\">L\u2019artiste belge <b>Jean-Michel Beuriot<\/b>, arrive \u00e0 adoucir des propos parfois tr\u00e8s durs et poignants \u00e0 l\u2019aide de son trait fin et d\u00e9licat et fait de cette sombre saga une merveille de sensibilit\u00e9 et de raffinement.<br \/>\n<\/span><span class=\"s1\">En attendant la publication des tomes 8 et 9<span class=\"Apple-converted-space\">&nbsp; <\/span>en 2022, la <b>Galerie Champaka<\/b> est tr\u00e8s heureuse de le mettre \u00e0 l\u2019honneur et de pr\u00e9senter un large \u00e9ventail de planches issues des 7 premiers tomes de la s\u00e9rie, ainsi que de nombreux dessins et croquis in\u00e9dits.<\/span><\/p>\n<hr>\n<p class=\"p1\"><span class=\"s1\"><b>Breekbare liefdes in de storm<\/b><\/span><\/p>\n<p class=\"p2\"><span class=\"s1\">En u, wat zou u hebben gedaan als u in the jaren 1930 in Duitsland 20 jaar oud was geweest&nbsp;? Pogingen om deze netelige vraag te beantwoorden werden soms benaderd in de bioscoop (\u00ab&nbsp;<i>Le Tambour&nbsp;<\/i>\u00bb door V. Schl\u00f6ndorff 1979) of in de literatuur (\u00ab&nbsp;<i>L\u2019ami retrouv\u00e9<\/i>&nbsp;\u00bb door F. Uhlman 1971). Maar dit gevoelige onderwerp was nog nooit in strips benaderd voor de publicatie van volume 1 van de serie \u00ab&nbsp;<b>Amours fragiles<\/b>&nbsp;\u00bb van <b>Jean-Michel Beuriot<\/b> en <b>Philippe Richelle<\/b> (<b>Casterman<\/b>-edities, 2001).<br \/>\n<\/span><span class=\"s1\">In dit goed gedocumenteerde historische fresco, zowel de sociale kroniek als de sentimentele narratie zijn beschreven, en wij treden in de stappen van de vreedzame en schuchtere Martin Mahner. Met zijn keuzes en die van zijn omgeving kunnen we niet anders dan zich herrineren aan mensen zoals Stefan Zweig, Bertold Brecht, Hermann Hesse en vele andere Duitse en Oostenrijkse intellectuelen die ook werden geconfronteerd met de sluipende ontneming van hun vrijheden, maar die soms een andere weg hebben gekozen, zoals ballingschap en soms zelfmoord.<br \/>\n<\/span><span class=\"s1\">De Belgische tekenaar <b>Jean-Michel Beuriot<\/b> is erin geslaagd om met zijn fijne en delicate lijntekening soms zeer harde en aangrijpende woorden te verzachten en van deze donkere saga een wonder van gevoeligheid en verfijning te maken.<br \/>\n<\/span><span class=\"s1\">In afwachting van de publicatie van volumes 8 en 9 in 2022, is de <b>Galerie Champaka<\/b> erg blij die tekenaar voor te stellen en presenteert nu een breed reeks van platen uit de eerste 7 delen van de serie, en evenals vele niet-gepubliceerde tekeningen en schetsen.<\/span><\/p>\n<hr>\n<p class=\"p1\"><span class=\"s1\"><b>Fragile loves in the maelstrom<\/b><\/span><\/p>\n<p class=\"p2\"><span class=\"s1\">And you, what would you have done if you had been 20 years old in the thirties in Germany&nbsp;? Attempts at an answer to this thorny question have sometimes been considered in some movies (\u00ab&nbsp;<i>Le Tambour<\/i>&nbsp;\u00bb by V. Sch\u00f6ndorff 1979) or in the literature ( \u00ab&nbsp;<i>L\u2019ami retrouv\u00e9<\/i>&nbsp;\u00bb by F. Uhlman, 1971). But this sensitive subject had never been approached in comics before the publication of volume 1 of the serie \u00ab&nbsp;<b>Amours fragiles<\/b>&nbsp;\u00bb by <b>Jean-Michel Beuriot<\/b> and <b>Philippe Richelle<\/b> (<b>Casterman<\/b> Publishing, 2001).<br \/>\n<\/span><span class=\"s1\">In this well-documented historical, social chronicle and sentimental story, we follow the trace of the peaceful and shy Martin Mahner. Trough his choices and those of his entourage, we have to remember the decisions of Stefan Zweig, Bertold Brecht, Hermann Hesse and many German and Austrian intellectuals who were also confronted with the insidious progressive deprivation of their freedoms but have chosen a different path, exile and sometimes suicide.<br \/>\n<\/span><span class=\"s1\">The Belgian artist <b>Jean-Michel Beuriot<\/b>, manages to soften the very harsh and poignant words and situations with a fine and delicate touch and makes from this dark saga a marvel of sensitivity and refinement.<br \/>\n<\/span><span class=\"s1\">Until the publication of volumes 8 and 9 in 2022, <b>Galerie Champaka<\/b> is very pleased to highlight this author and to present a wide range of boards from the first 7 volumes of the serie, as well as numerous unpublished drawings and sketches.<\/span><\/p>\n<p>\u00a9 Casterman 2020<\/p>\n<h2>Originaux<\/h2>\nngg_shortcode_0_placeholder\n<h2>Int\u00e9ress\u00e9 par une \u0153uvre?<\/h2>\n<p>Laissez-nous vos coordonn\u00e9es, nous vous recontacterons d\u00e8s que possible.<br \/>\n\n<div class=\"wpcf7 no-js\" id=\"wpcf7-f688-o1\" lang=\"fr-FR\" dir=\"ltr\" data-wpcf7-id=\"688\">\n<div class=\"screen-reader-response\"><p role=\"status\" aria-live=\"polite\" aria-atomic=\"true\"><\/p> <ul><\/ul><\/div>\n<form action=\"\/index.php?rest_route=%2Fwp%2Fv2%2Fpages%2F15073#wpcf7-f688-o1\" method=\"post\" class=\"wpcf7-form init\" aria-label=\"Formulaire de contact\" novalidate=\"novalidate\" data-status=\"init\">\n<fieldset class=\"hidden-fields-container\"><input type=\"hidden\" name=\"_wpcf7\" value=\"688\" \/><input type=\"hidden\" name=\"_wpcf7_version\" value=\"6.1.5\" \/><input type=\"hidden\" name=\"_wpcf7_locale\" value=\"fr_FR\" \/><input type=\"hidden\" name=\"_wpcf7_unit_tag\" value=\"wpcf7-f688-o1\" \/><input type=\"hidden\" name=\"_wpcf7_container_post\" value=\"0\" \/><input type=\"hidden\" name=\"_wpcf7_posted_data_hash\" value=\"\" \/>\n<\/fieldset>\n<p><label> Votre nom (*)<br \/>\n<span class=\"wpcf7-form-control-wrap\" data-name=\"your-name\"><input size=\"40\" maxlength=\"400\" class=\"wpcf7-form-control wpcf7-text wpcf7-validates-as-required\" autocomplete=\"name\" aria-required=\"true\" aria-invalid=\"false\" value=\"\" type=\"text\" name=\"your-name\" \/><\/span> <\/label>\n<\/p>\n<p><label> Votre e-mail (*)<br \/>\n<span class=\"wpcf7-form-control-wrap\" data-name=\"your-email\"><input size=\"40\" maxlength=\"400\" class=\"wpcf7-form-control wpcf7-email wpcf7-validates-as-required wpcf7-text wpcf7-validates-as-email\" autocomplete=\"email\" aria-required=\"true\" aria-invalid=\"false\" value=\"\" type=\"email\" name=\"your-email\" \/><\/span> <\/label>\n<\/p>\n<p><label>\u0152uvre choisie<br \/>\n<span class=\"wpcf7-form-control-wrap\" data-name=\"your-subject\"><input size=\"40\" maxlength=\"400\" class=\"wpcf7-form-control wpcf7-text\" aria-invalid=\"false\" value=\"\" type=\"text\" name=\"your-subject\" \/><\/span> <\/label>\n<\/p>\n<p><label>Votre demande<br \/>\n<span class=\"wpcf7-form-control-wrap\" data-name=\"your-message\"><textarea cols=\"40\" rows=\"10\" maxlength=\"2000\" class=\"wpcf7-form-control wpcf7-textarea\" aria-invalid=\"false\" name=\"your-message\"><\/textarea><\/span> <\/label>\n<\/p>\n<p><input class=\"wpcf7-form-control wpcf7-submit has-spinner\" type=\"submit\" value=\"Envoyer\" \/>\n<\/p>\n<p>Ce formulaire utilise Akismet pour r\u00e9duire le courrier ind\u00e9sirable. <a target=\"_blank\" rel=\"nofollow noopener\" href=\"https:\/\/akismet.com\/privacy\/\">D\u00e9couvrez comment vos donn\u00e9es sont trait\u00e9es.<\/a>\n<\/p><p style=\"display: none !important;\" class=\"akismet-fields-container\" data-prefix=\"_wpcf7_ak_\"><label>&#916;<textarea name=\"_wpcf7_ak_hp_textarea\" cols=\"45\" rows=\"8\" maxlength=\"100\"><\/textarea><\/label><input type=\"hidden\" id=\"ak_js_1\" name=\"_wpcf7_ak_js\" value=\"157\"\/><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\ndocument.getElementById( \"ak_js_1\" ).setAttribute( \"value\", ( new Date() ).getTime() );\n\/* ]]> *\/\n<\/script>\n<\/p><div class=\"wpcf7-response-output\" aria-hidden=\"true\"><\/div>\n<\/form>\n<\/div>\n<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Amours fragiles dans la tourmente&nbsp; 29\/10 &gt; 14\/11 Et vous, qu\u2019auriez vous fait si vous aviez eu 20 ans en 1932 en Allemagne&nbsp;? Des tentatives de r\u00e9ponses \u00e0 cette question \u00e9pineuse ont parfois \u00e9t\u00e9 \u00e9voqu\u00e9es au cin\u00e9ma (\u00ab&nbsp;Le Tambour&nbsp;\u00bb de V. Schl\u00f6ndorff 1979) ou en litt\u00e9rature (\u00ab&nbsp;L\u2019ami retrouv\u00e9&nbsp;\u00bb de F. Uhlman 1971). Mais ce sujet [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[],"tags":[],"class_list":["post-15073","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.galeriechampaka.com\/index.php?rest_route=\/wp\/v2\/pages\/15073","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.galeriechampaka.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.galeriechampaka.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.galeriechampaka.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.galeriechampaka.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=15073"}],"version-history":[{"count":4,"href":"https:\/\/www.galeriechampaka.com\/index.php?rest_route=\/wp\/v2\/pages\/15073\/revisions"}],"predecessor-version":[{"id":15119,"href":"https:\/\/www.galeriechampaka.com\/index.php?rest_route=\/wp\/v2\/pages\/15073\/revisions\/15119"}],"wp:attachment":[{"href":"https:\/\/www.galeriechampaka.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=15073"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.galeriechampaka.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=15073"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.galeriechampaka.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=15073"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}