{"id":54355,"date":"2022-03-16T06:52:27","date_gmt":"2022-03-16T05:52:27","guid":{"rendered":"https:\/\/www.galeriechampaka.com\/?page_id=54355"},"modified":"2023-04-01T17:11:03","modified_gmt":"2023-04-01T15:11:03","slug":"antonio-lapone-preview-2","status":"publish","type":"page","link":"https:\/\/www.galeriechampaka.com\/?page_id=54355","title":{"rendered":"Antonio Lapone"},"content":{"rendered":"

Gentlemind T.II<\/i><\/b><\/span><\/h2>\n

31\/03\/2022 > 23\/04\/2022<\/span><\/h3>\n

\"Antonio<\/p>\n

Antonio Lapone<\/b> est le digne descendant des tenants (Chaland, Clerc\u2026) de la nouvelle ligne claire des ann\u00e9es 80. Pour le diptyque Gentlemind <\/i><\/b>(Ed. Dargaud), il s\u2019est associ\u00e9 \u00e0 Teresa Valero<\/b> et Juan D\u00edaz Canales<\/b>, le sc\u00e9nariste de Blacksad<\/i>. <\/span><\/p>\n

Alors que le premier tome se d\u00e9roulait durant les ann\u00e9es 40 et 50, \u00e0 New York, le second remonte jusqu\u2019au d\u00e9but des ann\u00e9es 70, toujours dans le monde de la presse. Lapone utilise \u00e0 merveille son dessin en adoptant, cette fois, la technique du crayon et de l\u2019aquarelle, pour dresser le portrait poignant d\u2019une femme confront\u00e9e \u00e0 un monde d\u2019hommes ; \u00e0 l\u2019image de celui de la s\u00e9rie Mad Men<\/i>. <\/i>Hommage \u00e0 la presse magazine am\u00e9ricaine (Esquire<\/i>, Life,<\/i> Collier\u2019s\u2026<\/i>), Gentlemind<\/i> est un r\u00e9cit foisonnant transperc\u00e9 par l\u2019\u00e9nergie vitale de New York.<\/span><\/p>\n

A l\u2019occasion de la parution de la finale de Gentlemind<\/i>, la Galerie Champaka<\/b> pr\u00e9sente la couverture et la quasi-int\u00e9gralit\u00e9 des planches originales, ainsi que des illustrations in\u00e9dites de diff\u00e9rents formats. R\u00e9alis\u00e9 en couleurs directes, l\u2019ensemble est d\u2019une rare magnificence !<\/span><\/p>\n

\n

Antonio Lapone<\/b><\/span> is de waardige afstammeling van de nieuwe Klare Lijn van de jaren 80 (met Chaland, Clerc…). Voor het tweeluik <\/span>Gentlemind<\/i><\/b><\/span> (uitg. Dargaud) werkte hij samen met <\/span>Teresa Valero <\/b><\/span>en <\/span>Juan Diaz Canales<\/b><\/span>, de scenarist van Blacksad.<\/span><\/p>\n

Terwijl het eerste deel zich afspeelde gedurende de jaren 40 en 50 in New York, keert het tweede deel terug naar de jaren 70, nog steeds in de perswereld. Lapone gebruikt zijn tekentechniek schitterend door deze keer met potlood en aquarel het treffend portret te tekenen van een vrouw die geconfronteerd wordt met een mannenwereld, net als in de serie Mad Men. Genlemind is een rijk verhaal doorspekt met de vitale energie van New York.<\/span><\/p>\n

Ter gelegenheid van het verschijnen van het slotstuk van Gentlemind stelt <\/span>Galerij Champaka<\/b><\/span> het omslag en haast alle originele platen voor, naast onuitgegeven illustraties op verschillend formaat. Rechtstreeks in kleur gemaakt geeft dit een ensemble van zeldzame schoonheid!<\/span><\/p>\n

\n

Antonio Lapone<\/b> is the worthy successor to the pioneers (Chaland, Clerc, etc.) of the new Clear Line of the 1980s. For the diptych Gentlemind<\/i><\/b> <\/i>(Ed. Dargaud), he has teamed up with Teresa Valero<\/b> and Juan D\u00edaz Canales, the writer of Blacksad<\/i>.<\/span><\/p>\n

While the first volume took place in the 1940s and 1950s in New York, the second dates back to the early 1970s, still in the world of the printed press. Lapone uses his drawing wonderfully, this time adopting the technique of pencil and watercolour, to paint a poignant portrait of a woman confronted with a world of men; like the one in the Mad Men<\/i> series. A tribute to the America\u2019s great magazines (Esquire, Life, Collier\u2019s<\/i>\u2026), Gentlemind<\/i> is a vibrant narrative suffused with the vital energy of New York.<\/span><\/p>\n

To mark the publication of the finale of Gentlemind<\/i>, Galerie Champaka<\/b> presents the cover artwork and almost all of the original interior pages, as well as unpublished illustrations in different formats. Made in direct colours, the whole selection is exceptionally magnificent!<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Gentlemind T.II 31\/03\/2022 > 23\/04\/2022 Antonio Lapone est le digne descendant des tenants (Chaland, Clerc\u2026) de la nouvelle ligne claire des ann\u00e9es 80. Pour le diptyque Gentlemind (Ed. Dargaud), il s\u2019est associ\u00e9 \u00e0 Teresa Valero et Juan D\u00edaz Canales, le sc\u00e9nariste de Blacksad. Alors que le premier tome se d\u00e9roulait durant les ann\u00e9es 40 et […]<\/p>\n","protected":false},"author":5,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[],"tags":[],"class_list":["post-54355","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.galeriechampaka.com\/index.php?rest_route=\/wp\/v2\/pages\/54355","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.galeriechampaka.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.galeriechampaka.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.galeriechampaka.com\/index.php?rest_route=\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/www.galeriechampaka.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=54355"}],"version-history":[{"count":3,"href":"https:\/\/www.galeriechampaka.com\/index.php?rest_route=\/wp\/v2\/pages\/54355\/revisions"}],"predecessor-version":[{"id":90424,"href":"https:\/\/www.galeriechampaka.com\/index.php?rest_route=\/wp\/v2\/pages\/54355\/revisions\/90424"}],"wp:attachment":[{"href":"https:\/\/www.galeriechampaka.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=54355"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.galeriechampaka.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=54355"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.galeriechampaka.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=54355"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}